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Seed of Grandeur
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After a short introductory note that traces the development of Sri Aurobindo's philosophic thought and provides a structure for his commentary, the author begins with two of Sri Aurobindo's short poems, "Thought the Paraclete" and "Rose of God", which he finds of special interest to those who wish to study the epic Savitri. The rest of the work is devoted to Book One of Savitri, where each of the five Cantos is first introduced and then annotated by lines and passages. Notes on the text, a bibliography, and a perspective on literary criticism of Sri Aurobindo's poetry round off the book, which is a revised and enlarged edition of the author's original 1972 work.
It took quite some time for Indian academicians to digest the fact that Indians could write excellent English. In the 1960s Professor Srinivasa Iyengar was able to introduce a paper on Indian writing in English in Andhra University for the Honours Course in English literature—the first university to do so. The syllabus was the next problem. Fiction could be canvassed easily but there was a hitch with poetry. Sri Aurobindo's poetry was not easily accepted. "It is difficult to understand." "How to teach mystic poetry?" "How to interpret in an Indian classroom a poem like ‘Thought the Paraclete'?" Fortunately, Prof. Iyengar himself held the classes in Andhra University, so the foundation for studying Sri Aurobindo in the confines of academia was laid well. When Prof. Iyengar retired, it became necessary for others to take up the subject. His students, such as L. S. R. Krishna Sastri and the author of this book, Krishna Sarma, continued the task. As the latter confesses, it was not easy and for him it was but an "occupational hazard".
The hazard was transformed into substantial work when he brought out a slim book on the three prescribed poems in the syllabus: "Rose of God", "Thought the Paraclete" and "The Symbol Dawn". It was, of course, tailored to suit the students and was welcomed eagerly. Fortunately, coming from an academic background, and being a very serious student of English literature and Indian philosophy, Prof. Krishna Sarma had himself sowed the seeds of expansion in the Seed of Grandeur (1972). Andhra Pradesh has a rare closeness with Sri Aurobindo. In 1948 the Vice-Chancellor of Andhra University, Dr C. R. Reddy, who was a great admirer of the Mahayogi, was able to persuade Sri Aurobindo to accept the institution's National Prize in Humanities, the only award he accepted in his earthly life. The message he gave to the University at that time is now a historic document.
However, the academic world has been hesitant in enlarging its approaches to Sri Aurobindo. As Krishna Sarma confesses in his recent work, "Many of the University Departments have de-emphasized Sri Aurobindo." This has been a blessing in disguise for Sarma, as there is now no need to worry about post-graduate syllabus students. After breezing through the two short poems, he takes up the inner spaces of Sri Aurobindo's philosophical thought for study as found in Book One of Savitri. After an introduction positing the argument in the canto, he deals with the verse paragraphs and explains them.
Admittedly it is difficult to convey the Aurobindonian philosophy as pellets of logic, using the critical tools of the West. Sri Aurobindo himself was not in favour of being dubbed a philosopher. He was right, for he comes in the tradition of Indian seekers who recorded what they "saw" (darshana). Indian philosophical thought opens with the Upanishads but they are not mere logical statements. With Sri Aurobindo also, his personal experience controls, however remotely, the logical progression of his philosophical ideas. He had had advaitic experiences but had no serpent-and-the-rope problem in connecting man, Nature and God in his writings. Dr. Sarma confesses:
My problem was, I was not trying to seek my Self. I was trying to apprehend the concept through my reasoning powers. For, I was trying to approach the world of advaita through my mind, and advaita insists that mind be de-activized.
God, in a playful mood, seeking company, activates Prakriti with the urge to create, and he himself gets caught in the coils of the laws native to the lower Nature, the iron laws of Time, Nescience and Death, necessitating a retrieval or redemption, a return to the source from which this ‘fallen' self has strayed, and necessitating the descent of Supramental Illumination, Savitri, to lift up the aspiring Satyavan to return to the felicity of Bliss and Divine Existence.
Prema Nandakumar